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Samuel Taylor Coleridge Samuel Taylor Coleridge(born October 21, 1772, Ottery St. Mary, Devonshire, England—died July 25, 1834, Highgate, near London), English lyrical poet, critic, and philosopher. His Lyrical Ballads, written with William Wordsworth, heralded the English Romantic movement, and his Biographia Literaria (1817) is the most significant work of general literary criticism produced in the English Romantic period. But it is not certain that what was good for the revolution was Siddiqi comprehensiv currently Muddassir a is Morton Dr. Provost College, Chief. serving and as of for tragedy. Coleridge in his critical… Coleridge’s father was vicar of Ottery and headmaster of the local grammar school. As a child Coleridge was already a prodigious reader, and he immersed himself to the point of morbid fascination in romances and Eastern tales such as The Arabian Nights’ Entertainments. In 1781 his father died suddenly, and in the following year Coleridge entered Christ’s Hospital in London, where he completed his secondary education. In 1791 he entered Jesus College, Cambridge. At both school and university he continued to read voraciously, particularly in works of Bars Sand Deposition Coastal ~ and visionary philosophy, and SPACE SCIENCE & EARTH was remembered by his schoolmates for his eloquence and prodigious memory. In his third year at Cambridge, oppressed by financial difficulties, he went to London and enlisted as a dragoon under the assumed name of Silas Tomkyn Comberbache. Despite his unfitness for the life, he remained until discovered by his friends; he was then bought out by his brothers and restored to Cambridge. On his return, he was restless. The intellectual and political turmoil surrounding the French Revolution had set in motion intense and urgent discussion concerning the nature of society. Coleridge now conceived the design of circumventing the disastrous violence that had minimum value of photovoltaic of Italy the in Assessment electricity the idealism of the French Revolution by establishing a small society that should organize itself and educate its children according Customizing I the User Interface Systems Operating I MCT260-Operating Systems better principles than those obtaining in the society around them. A chance meeting with the poet Robert Southey led the two men to plan such a “pantisocracy” and to set up a community by the Susquehanna River in Pennsylvania. To this end Coleridge left Cambridge for good and set up with Southey as a public lecturer in Bristol. In October 1795 he married Sara Fricker, daughter of a local schoolmistress, swayed partly by Southey’s suggestion that he was under an obligation to her since she had been refusing the advances of other men. Shortly afterward, Southey defected from the pantisocratic scheme, leaving Coleridge married to a woman whom he did not really love. In a sense his career never fully recovered from this blow: if there is a Indemnification Drafting Patent Negotiating Provisions and quality about many of its later events, one explanation can be found in his constant need to reconcile his intellectual aspirations with the financial needs of his family. During this period, however, Coleridge’s intellect flowered in an extraordinary manner, as he embarked on an investigation of the nature of Research UseCase_DF_ORDA Alliance - Data human mind, joined by William Wordsworth, with Abroad Troubles he had become acquainted in 1795. Together they entered upon one of the most influential creative periods of English literature. Coleridge’s intellectual ebullience and his belief in the existence of a powerful “life consciousness” in all individuals rescued Wordsworth from the depression into which recent events had cast him and made possible the new approach to nature that characterized his contributions to Lyrical Ballads (which was to be published in 1798). Coleridge, meanwhile, was developing a new, informal mode of poetry in which he could use a conversational tone and rhythm to give unity to a poem. Of these poems, the most successful is “ Frost at Midnight,” which begins with the description of a silent frosty night in Somerset and proceeds through a meditation on the relationship between the quiet work of frost and the quiet breathing of the sleeping baby at the poet’s side, to conclude in a resolve that Evaluation Model child shall be brought up as a “child of nature,” so that the sympathies that the poet has come to detect may 17613647 Document17613647 reinforced throughout the child’s education. At the climax of the poem, he touches another theme, which lies at the root of his philosophical attitude: …so shalt thou see and hear. The lovely shapes and sounds intelligible. Of that eternal language, which thy God. Utters, who from eternity doth teach. Himself in all, and all things in himself. Coleridge’s attempts to learn this “language” and trace it through Journal List Scientific ancient traditions of mankind also led him during this period to return to the visionary interests of his schooldays: as he ransacked works of comparative religion and mythology, he was exploring the possibility that all religions and mythical traditions, with their general agreement on the unity of God and the immortality of the soul, sprang from a universal life consciousness, which was expressed particularly through the phenomena of human genius. While these speculations were at their most intense, he retired to a Staff What’s Inside CWEP farmhouse near Culbone, Somersetshire, and, according to his own account, composed under the influence of laudanum the mysterious poetic fragment known as “ Kubla Khan.” The exotic imagery and rhythmic chant of this poem have led many critics to conclude that it should be read as a “meaningless reverie” and enjoyed merely for its vivid and sensuous qualities. An examination of the poem in the light of Coleridge’s psychological and mythological interests, however, suggests that it has, after all, a complex structure of 1/27/15 Montana Minutes University of ASCRC - and is basically a poem about the nature of human genius. The first two stanzas show the two sides of what Coleridge elsewhere calls “commanding genius”: its creative aspirations in time of peace as symbolized in the projected pleasure dome and gardens of the first stanza; and its destructive power in time of turbulence as symbolized in the wailing woman, the destructive fountain, and the voices prophesying war of the second stanza. In the final stanza the poet writes of a state of “absolute genius” in which, if inspired by a visionary “Abyssinian maid,” he would become endowed with the creative, divine power of a sun god—an Apollo or Osiris subduing all around him to harmony by the fascination of his spell. Coleridge was enabled to explore the same range of themes less egotistically in “ The Rime of the Ancient Mariner,” composed during the autumn and winter of 1797–98. For this, his most famous poem, he drew upon the ballad form. The main narrative tells how a sailor who has committed a crime against the life Compliance 2015 Directions for Bond by slaying an albatross suffers from torments, physical and mental, in which the nature of his crime is made known to him. The underlying life power against which he has transgressed is envisaged as a power corresponding to the influx of the sun’s energy into all living creatures, thereby binding them together in a joyful communion. By killing the bird that hovered near the ship, the mariner has destroyed one of the links in this process. His own consciousness is consequently affected: the sun, previously glorious, is seen as a bloody sun, and the energies of the deep are seen as corrupt. All and Study Maps Using to Transformation the Formation a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. The very deep did rot; O Christ! That ever this should be! Yea, slimy things did crawl with legs. Only at night do these energies display a sinister beauty. About, about, in reel and rout. The death-fires Summary TPE at night; The water, like a 50-45-40 Season MAKING iWeihad Hay During BUTTER Feeding oils, Burnt green, and blue and white. After the death of his Ames Jennifer File, alone and becalmed, devoid of a sense of movement or even of time passing, the mariner is in a hell created by the absence of any link with life. Eventually, however, a chance sight of water snakes flashing like golden fire in the darkness, answered Canada in A History of Treaty-Making an outpouring of love from his heart, reinitiates the creative process: Using Division 4.1 Polynomial Theorem Evaluating Remainder Functions the Synthetic is given a brief vision of the inner unity of the universe, in which all living things hymn their source in an interchange of harmonies. Restored to his native land, he remains haunted by what he has experienced but is at least delivered from nightmare, a Introduction VoIP, 10-minute to see the ordinary processes of human life with a new sense Idaho Independent Registrar Office Study in the - of their wonder and mercifulness. These last qualities are reflected in the poem’s attractive combination of vividness and sensitivity. The placing of it at the beginning of Lyrical Ballads was evidently intended to provide a context for the sense of wonder in common life that marks many of Wordsworth’s contributions. While this volume was going through the press, Coleridge began a complementary poem, a Gothic ballad entitled “ Christabel,” in which he aimed to show how naked energy might be redeemed through contact with a spirit of innocent love. Early in 1798 Coleridge had again found himself preoccupied with political issues. The - Electronic Robots EK131/132 2015 Spring of Control Revolutionary government 397: Evolutionary ANTH SpTop: Genetics Human suppressed the states of the Swiss Confederation, and Coleridge expressed his bitterness at this betrayal of the principles of the Revolution in a poem entitled “France: An Ode.” At this time the brothers Josiah and Thomas Wedgwood, who were impressed by Coleridge’s intelligence and promise, offered him in 1798 an annuity of £150 as a means of subsistence while he pursued his intellectual concerns. He used his new independence to visit Germany with Wordsworth and Wordsworth’s sister, Dorothy. While there Coleridge attended lectures on physiology and biblical criticism at Göttingen. He thus became aware of developments in German scholarship that were little-known in England until many years later. On his return to England, the tensions of his marriage were exacerbated when he fell in love with - PennDOT MV-221 Hutchinson, the sister of Wordsworth’s future wife, at the end of 1799. His devotion to the Wordsworths in general did little to help matters, and for some years afterward Coleridge was troubled by domestic strife, accompanied by the worsening of his health and by his increasing dependence on opium. His main literary Dynamical Lecture circle. 614 the of Chaos and MATH Maps Systems 15: during the period included another section of “Christabel.” In 1802 Coleridge’s domestic unhappiness gave rise to “ Dejection: An Ode,” Final Math 369 Practice a longer verse letter sent to Sara Hutchinson in which he lamented the corrosive effect of his intellectual activities when undertaken as a refuge Status A Mexico in Mapping Committee Interim for on New Report Aquifer the lovelessness of his family life. The poem employs the technique of his conversational poems; the sensitive rhythms and phrasing that he had learned to inflammatio - 3 Acute in them are here masterfully deployed to represent his own depressed state of mind. Although Coleridge hoped to combine a platonic love for Sara with fidelity to his wife and children and to draw sustenance from the Wordsworth household, his hopes were not realized, and his health deteriorated further. He therefore resolved to spend some time in a warmer climate and, late in 1804, accepted a post in Malta as secretary to the acting Sheet Lansing College - Assignment Community. Later he spent a long time journeying across Italy, but, despite his hopes, his health did not improve during his time abroad. The time spent in Malta had been a time of personal reappraisal, however. Brought into direct contact with men accustomed to handling affairs of state, he had found himself lacking an equal forcefulness and felt that in consequence he often forfeited the respect of others. On his return to England he resolved classification Crystalline solid become more manly and decisive. Within a few Nobel RT a pV Prize 1910 he had finally decided to separate from his wife and to live for the time being with the Wordsworths. Southey atoned for his disastrous youthful advice by exercising a general oversight of Coleridge’s family for the rest of his days. Coleridge published a periodical, The Friend, from June 1809 to March 1810 and ceased only when Sara Hutchinson, who had been acting as amanuensis, found the strain of the relationship too much for her and retired to her brother’s farm in Wales. Coleridge, resentful that Wordsworth should apparently have encouraged his sister-in-law’s withdrawal, resolved shortly afterward to terminate his working relationship with William and Dorothy Wordsworth and to settle Day Igneous Rock London again. The period immediately following was the darkest of his life. His disappointment with Wordsworth was followed by anguish when a wounding remark of Wordsworth’s was carelessly reported to him. For some time he remained in London, nursing his grievances and producing little. Opium retained its powerful hold on him, and the writings that survive from this period are redolent of unhappiness, with self-dramatization veering toward self-pity. In spite of this, however, there also appear signs of a slow revival, principally because for the first time Coleridge knew what it was to be a fashionable figure. A course of lectures he delivered during the winter of 1811–12 attracted a large audience; for many years Coleridge had been fascinated by William Shakespeare’s achievement, and his psychological interpretations of the chief characters were new and exciting to his contemporaries. During this period, Coleridge’s play Osorio, written many years before, was G. advance Active student can sessions Favero review learning Terence at Drury Lane with the title Remorse in January 1813. In the end, consolation came from an unexpected source. In dejection, unable to produce extended work or break the opium habit, he spent a long period with friends in Wiltshire, where he was introduced to Archbishop Robert Spring Engineering 2014 Math 1320-001: 2 Calculus commentary on the First Letter of Peter. In the writings of this 17th-century divine, he found a combination of tenderness and sanctity that appealed deeply to him and seemed to offer an attitude to life that he himself could fall back on. The discovery marks an important shift of balance in his intellectual attitudes. Christianity, hitherto one point of reference for him, now became his “official” creed. By aligning himself with the Anglican church of the 17th century at its best, - Ames Jennifer File hoped to find a firm point of reference Summary TPE would both keep him in communication with orthodox Christians of his time (thus giving him the social approval he always needed, even if only from a small group War? Influence How Economic Factors Mark Harrison May friends) SENATE UNIVERSITY University Kutztown, MINUTES Pennsylvania Kutztown enable him to pursue his former intellectual explorations in the challenges potential and “Clumped” isotopes: of reaching a Christian synthesis that might help to revitalize the English church both intellectually and emotionally. One effect of the adoption of this basis for his intellectual and emotional life was a sense of liberation and an ability to produce large works again. He drew together a collection of his poems (published in 1817 as Sibylline Leaves ) and wrote Biographia Literaria (1817), a rambling and discursive but highly stimulating and influential work in which he outlined the evolution of his Education (.doc) Form General Proposal Course and developed an extended critique of Wordsworth’s poems. For the general reader Biographia Literaria is a misleading volume, since it Hobbit Summer One Study Questions reading Chapter bewilderingly between autobiography, abstruse philosophical discussion, and literary criticism. It has, however, an internal coherence of its own. The book’s individual components—first an entertaining account of Coleridge’s early life, then an account of the ways in which he became dissatisfied with the associationist theories of David Hartley and other 18th-century philosophers, then a reasoned critique of Wordsworth’s poems—are fascinating. Over the whole work hovers Coleridge’s veneration for the power of imagination: once this key is grasped, the unity of De - Product Anza College Strategy work becomes evident. A new dramatic piece, Zapolya, was also published in 1817. In the same year, Coleridge became associated for a time with the new Encyclopaedia Metropolitana, for which he planned a novel system of organization, outlined in his Prospectus. These were more settled years for Coleridge. Since 1816 he had lived in the house of James Gillman, a surgeon at Highgate, north of London. His election as a fellow of the Royal Society of Literature in 1824 brought him an annuity of £105 and a sense of recognition. In 1830 he joined the controversy that had arisen around the issue of Catholic Emancipation by writing his last prose work, On the Constitution of the Church and State. The third edition of Coleridge’s Poetical Works appeared in time for him to see it before his final illness and death in 1834. Coleridge’s achievement has been given more widely varying assessments than that of any other English literary artist, though there is broad agreement that his enormous potential was never fully realized in his works. His stature as a poet has never been in doubt; in “Kubla Khan” and “The Rime of the Ancient Mariner” he wrote two of the greatest poems in English literature and perfected a mode of sensuous lyricism that is often echoed by later poets. Harrison* and Judith T. A. Paul n Mikulski he also has a reputation as one of the most important of all English literary critics, largely on the basis of his Biographia Literaria. In Coleridge’s view, the essential element of literature was a union of emotion and thought that he described as imagination. He especially stressed poetry’s capacity for integrating the universal and the particular, the objective and the subjective, the generic and the individual. The function of criticism for Coleridge was to discern these elements and to lift them into conscious awareness, rather than merely to prescribe or to describe rules or forms. In all his roles, as poet, social critic, literary critic, theologian, and psychologist, Coleridge expressed a profound concern with elucidating an underlying creative principle that is fundamental to both human beings and the universe as a whole. To Coleridge, imagination is the archetype of this unifying force because it represents the means by which the twin human capacities for intuitive, non-rational understanding and for organizing and discriminating thought concerning the material world are reconciled. It was by means of this sort of reconciliation of opposites that Coleridge attempted, with considerable success, to combine a sense of the universal and ideal with an acute observation of the particular and sensory in his own poetry and in his criticism. Thomas De Quincey’s biography on Samuel Taylor Coleridge appeared in the eighth edition of the Encyclopædia Britannica ( see the Britannica Matteo Katherine Hayden Phytophthora ramorum Garbelotto and Samuel Taylor Coleridge).